In Via di Fuga / Loop, the visual language of emergency signage is stripped of its functional certainty and transformed into a perceptual paradox. A system designed for immediate clarity and single-direction meaning becomes unstable, undermining its own logic. The industrial green is preserved but intensified, shifting toward a deeper, almost toxic tone, as if the language of safety had lost its neutrality. The arrow no longer points outward; instead, it bends back into itself, forming an impossible closed circuit. The human figure continues to run without any real escape: entering and exiting the same threshold, erasing the distinction between movement and confinement. Running becomes part of a self-sustaining mechanism rather than a path toward liberation. Minimal interventions introduce subtle geometric misalignments that disturb perception without destroying readability. The system remains recognizable, yet internally unstable, generating a constant tension between trust and disorientation. No longer an instruction toward exit, but an open question: what does escape mean when every direction returns to its origin?